Post Production

40-Hour Editing Masterclass II: Discipline, Discovery, and the Power of Staying With It Day 5 of the 40-Hour Editing Masterclass II was where everything locked into place. Working alongside director Marine Ohensian, we spent five consecutive days editing her Scriptfest Season 2 film It’s March 17th and I’m Still in Love with You . The entire process was livestreamed, giving audiences a rare look at what real post-production actually feels like. Not a highlight reel, but the w

Written by Mathieu Seguin We were editing our first Scriptfest Season 1 film Wherever the Wind Blows . We shot this on a Sony A7S III with an anamorphic adapter (1.33x squeeze) to get that cinematic 2.35:1 aspect ratio. Crucially, we shot everything at 60 frames per second , giving us hyper-real movement and the ability to manipulate time in the edit without losing quality. Mathieu Seguin takes the 40 Hours Editing Challenge The 5-Day Climb Day 1: Sanding the Wood Monday was

A behind-the-scenes look at our 5-day masterclass, taking Wherever the Wind Blows from the first cut to the final polish.